WRITING

“The Society of the Speculum,” Crisis of Image, Museum of Contemporary Art Arlington. Catalog essay. 2023.

“Busing as Media Theory: Stan VanDerBeek’s ‘Panels for the Walls of the World,’” Chicago: Document Space; Los Angeles: The Box, 2022.

Writings for Dia Art digital publication:

“Group Material, Democracy.” Dia Art, August 19, 2020. 

“Artist Web Projects Spotlight: Glenn Ligon, Annotations.” Dia Art, May 6, 2020.

“Artist Web Projects Spotlight: Vitaly Komar and Alex Melamid, The Most Wanted Paintings.Dia Art, April 24, 2020.

“Artist Web Projects Spotlight: Ana Torfs, Approximations/Contradictions.” Dia Art, April 14, 2020.

“Artist Web Projects Spotlight: Iñaki Bonillas, Words and Photos.” Dia Art, April 6, 2020.

“Artist Web Projects Spotlight: Claude Closky, Do You Want Love or Lust?Dia Art Blog. March 30, 2020.

 

Mensaje Original #4 (On Superstition) (with Margarethe Drexel), trans. Catalina Berarducci. Mexico City: Editorial Amigas Intimas, 2020.

 

“’Only a Truncated and Imaginary Vision’: Carmen Amengual’s Fragments from Algiers.” Island Island (September 2019).

 

“Review of En Mas’: Carnival and Performance Art of the Caribbean.” Nka: Journal of Contemporary African Art (May 2017).

 

“Painting Participation: Images of the Audience in Conformity and Discord.” In Expanding the Audience for Art in the 19th Century at the

Pennsylvania Academy of the Fine Arts. Philadelphia: The Arthur Ross Gallery, 2016. Catalog essay.